Śrī Āndhra Viṣhṇu (Telugu: శ్రీ ఆంధ్ర విష్ణు) better known as Śrīkākuḷāndhra Mahāviṣhṇu (Telugu: శ్రీ కాకుళంధ్ర మహావిష్ణు) was a legendary warrior by name Viṣhṇu who became famous as a very valorous savior of his small kingdom.
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After his reign, people came to believe that he had an amśa of the divine savior Lord Maha Vishnu himself. Perhaps in his honor, people had dedicated a new temple now located at Śrīkākuḷam, Krishna District, Andhra Pradesh. The lord of the temple is known as Āndhra Viṣhṇu or Śrīkākulāndhra Viṣhṇu. The main sanctum of the temple survived at least since the time of the Sātavāhana emperors, perhaps from 2nd or even 3rd century BC. In that respect, it is perhaps one of the most ancient temple sites in the country. Available evidence seems to suggest that king Āndhra Viṣhṇu ruled before the time of Sātavāhanas.
In Andhra Kaumudi, a Telugu grammar book it was mentioned that he was son of Suchandra. It seems Āndhra Viṣhṇu having built an immense wall, connecting Sri Sailam, Bheemeswaram, and Kaleswaram, with the Mahendra hills, formed in it three gates, in which the three eyed Ishwara, bearing the trident in his hand and attended by a host of divinities resided in the form of three lingams. Āndhra Viṣhṇu assisted by divine angels having fought with the great giant Nishambhu for thirteen yugas killed him in battle and took up his residence with the sages on the banks of the river Godavari, since which time, the Andhra country has been named Trilingam.[1]
Āndhra Nāyaka Satakam was written by Kasula Purushottama Kavi, a poet under patronage of Zamindar of Challapalli in diviseema region of Andhra Pradesh, which was his most famous literary work. The ancient temple dedicated to Āndhra Viṣhṇu is just few kilometers away from the poet's native place in diviseema.
The Satakam is known to just about every high school student in Telugu region because of a few mandatory selections from the Satakam that appear in school textbooks. There are only a few people who become famous through just one tiny literary work. Kasula Purushottama Kavi was one such writer. The poems of the Satakam are so very endearing because of the vyāja ninda and vyāja stuti employed to denounce the Lord Āndhra Viṣhṇu and put him down for his various qualities and actions while actually praising him indirectly.
Apparently, the Śrīkākuḷāndhra Viṣhṇu temple during poet's time seems to be in a deteriorated state. The poet seems to be concerned about it and composed the Satakam asking the Lord Andhra Viṣhṇu, why he did not set his own house in order. This Sataka is perhaps the most famous in the Vyāja ninda genre of Telugu Prosody.
Once the Vijayanagara emperor Sri Krishnadevaraya was travelling via Vijayawada during his Kalinga campaign. He had conquered Vijayawada, kondapalli fort and the surrounding areas. He came to know about the holy temple of Śrī Āndhra Viṣhṇu and visited Srikakulam village for a few days. He performed the Ekadasi Vratam during that time. It is here that Lord Śrī Āndhra Viṣhṇu in all his glory appeared to the emperor in an early morning dream ("neela mEGhamu DAlu Deelu sEyaga jAlu….").[2]
Sri Krishnadevaraya Explains the incident as ..Observing the fast of the Vishnu's Day, in the fourth and last watch of that God's night, Andhra Vishnu came to me in my dream. His body was a radiant black, blacker than the rain cloud. His eyes wise and sparkling, put the lotus to shame. He was clothed in the best golden silk, finer still than the down on his eagle's wings. The red sunrise is pale compared to ruby on his chest.[3]
Lord Śrī Āndhra Viṣhṇu told him to compose the story of his wedding with Andal at Srirangam ("rangamandayina penDili seppumu.."). He also ordered the emperor to tell the story in Telugu.
The Lord reasoned "telugadElayanna, dESambu telugu. yEnu telugu vallaBhunDa. telugo kanDa.…. yerugavE bAsADi, dESa BhAShalandu telugu lessa!" The emperor obliged and composed Amuktamalyada which is one of the most famous poetic works in the entire Telugu literature.[4] From 14th poem of this work we can see that the Lord Śrī Āndhra Viṣhṇu refers himself as King of Telugus (Telugu Vallabhunḍa) and refers Sri Krishnadevaraya as Kannada King (Kannaḍa Rāya).
“ | తెలుఁగ దేల నన్న దేశంబు దెలుఁగేను తెలుఁగు వల్లభుండఁ దెలుఁ గొకండ యెల్ల నృపులగొలువ నెరుఁగ వే బాసాడి దేశభాషలందుఁ తెలుఁగు లెస్స |
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—శ్రీ ఆంధ్ర విష్ణు |
“ | telugadElayanna, dESambu telugEnu telugu vallaBhunDa telugokanDa yella nRpulu golva nerugavE bAsADi dESa BhAShalandu telugu lessa |
” |
—Śrī Āndhra Viṣhṇu's reason on why Āmuktamālyada should be written in telugu by Sri Krishnadevaraya |
Meaning of Quote :"If you ask why a work in Telugu; I am Telugu (i.e., belong to Teluguland) and King of Telugus. Telugu is language which got stuff (TelugO kanDa). So, with all kings serving under you, by speaking you will know that of all regional languages Telugu is superior. "
Within Āmuktamālyada itself it was mentioned that on a Harivāsara, Sri Krishnadevaraya had the Darsan of Śrī Āndhra Viṣhṇu. Harivāsara is the time between the last 4 muhurtas of Ekadasi and the first 4 muhurtas of Dwadasi, i.e., 6 hours and 24 minutes. This incident of visiting the temple must be between Ahobilam Śaasanam (dated December, 1515) and Simhāchalam Śaasanam (dated 30 March 1515)[5]
Sri Srikakula Andhra Mahavishnuvu Katha | |
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Directed by | A. K. Sekhar |
Produced by | D. Lakshminarayana Chowdhary |
Starring | N.T. Rama Rao S. V. Ranga Rao Jamuna |
Music by | Pendyala Nageswara Rao |
Release date(s) | 1962 |
Country | India |
Language | Telugu |
In 1962, the Telugu movie named Srikakula Andhra Mahavishnu Katha was made based on the story of this legendary king, directed by A. K. Sekhar, casting N. T. Rama Rao, Jamuna, S. V. Ranga Rao, M. Balaiah, Relangi Venkataramaiah, Girija, L. Vijaya Lakshmi, Chaya Devi, Mudigonda Linga Murthy. Producer was D. Lakshminarayana Chowdary and music was given by Pendyala Nageswara Rao.